Anna Gonzalez Suero holds a PhD in Art from Goldsmiths, University of London. As an artistic researcher, she works with autoethnography to explore the aesthetic dimensions of medico-technical images appearing on screens and as models, with a focus on the visual and material cultures of gynecology and obstetrics. Gonzalez Suero works on challenging fundamental ideas around images with medical origins by engaging different materials and media, including drawing, video, text, and collage.


Gonzalez Suero has shown her work at a variety of different locations, including Alpha Nova and Galerie Futura in Berlin, Galerie Diana Stigter in Amsterdam, and at the International Symposium on Electronic Art. She has held artist residencies in various locations, including the Foundation Künstlerdorf Schöppingen (Germany) and the Akiyoshidai International Art Village (Japan).


PhD Thesis: "In a Quick Sketch of a Fetus." December 31, 2022.


Gonzalez Suero has published an autoethnographic essay, "The Foetus Phallus Studio," in the volume Performing the Penis: Phalluses in 21st Century Cultures, edited by Meredith Jones and Evelyn Callahan (2023, Routledge). She has a book chapter forthcoming in Medical Technology and the Social: How Medical Technology is Impacting Social Relations, Institutions, and Beliefs about What is Normal, edited by Kate Burrows (Lexington Books).


Recently, she presented her paper, "Representing Lived Experiences of Gender Through Autoethnography," at the University of Granada, as part of the International Summer School on Gender and Science called "His-GenderGap," organized by Prof. Dr. Maria Rentetzi (Chair of Science, Technology and Gender Studies, Friedrich Alexander University Erlangen-Nürnberg), Prof. Dr. María Jesus Santesmases (Spanish National Research Council), and Dr. Ágata Ignaciuk (Department of Pathological Anatomy and the History of Science & Women's and Gender Studies Institute, University of Granada).